C. Davis Smith

C. Davis Smith

Camera
Born 1930-06-18 Died 2017-09-20 Philadelphia, Pennsylvania, USA 43 credits
Read biography
"Somebody asked me to write a book about my experiences. I was gonna title it: "Twenty Years in the Porn Business, and I Never Got Laid." Sadly it's a true story!" Exploitation movie jack-of-all-trades Charles Davis Smith was born on June 18, 1930, in Philadelphia, Pennsylvania. Following a tour of duty in the US Air Force, Smith began his cinematic career in the industrial film business in the 1950s. He went on to shoot, edit, direct, write, and even act in numerous low-budget softcore sexploitation features made throughout the 1960s. After a stint working in mainstream television, Smith returned to his trash film roots and shot a handful of hardcore porn movies made in and around New York City in the 1970s. He is perhaps best known for his work as a cinematographer on a string of films for legendary Do-It-Yourself maverick schlock cinema auteur Doris Wishman, among them Bad Girls Go to Hell (1965), Another Day, Another Man (1966), Deadly Weapons (1974), Double Agent 73 (1974), Satan Was a Lady (1975) and A Night to Dismember (1983). In addition, he also shot movies for such directors as Victor Milt, Cecil Howard, and Zebedy Colt. Moreover, Smith edited music videos for The Manhattans, Stevie Ray Vaughan and Run-D.M.C.. He provided lively, entertaining, and illuminating commentaries on DVD reissues of assorted enjoyably down'n'dirty grindhouse features that he worked on in various capacities during his colorful and impressive East Coast underground cinema career. Smith died at age 87 on September 20, 2017.
Not enough member ratings yet.
Filmography
Other credits 30 credits
Indecent Desires
Indecent Desires
1968 · Director of Photography
The Amazing Transplant
The Amazing Transplant
1971 · Director of Photography
Bad Girls Go to Hell
Bad Girls Go to Hell
1965 · Director of Photography
The Immoral Three
The Immoral Three
1975 · Director of Photography
Hot Nights on the Campus
Hot Nights on the Campus
1966 · Editor, Director of Photography
My Brother's Wife
My Brother's Wife
1966 · Director of Photography
A Taste of Flesh
A Taste of Flesh
1967 · Story, Director of Photography
Keyholes Are for Peeping
Keyholes Are for Peeping
1972 · Director of Photography
The Sex Perils of Paulette
The Sex Perils of Paulette
1965 · Editor, Director of Photography
Step Into the Third Dimension
Step Into the Third Dimension
1989 · Editor
A Night to Dismember
A Night to Dismember
1983 · Director of Photography
Each Time I Kill
Each Time I Kill
2007 · Director of Photography
Too Much Too Often!
Too Much Too Often!
1968 · Director of Photography
The Girl from S.I.N.
The Girl from S.I.N.
1966 · Director, Writer, Professor Drake
Lust and the Flesh
Lust and the Flesh
1965 · Associate Producer, Editor, Director of Photography
Scorpio '70
Scorpio '70
1970 · Editor
Crazy Wild and Crazy
Crazy Wild and Crazy
1964 · Director of Photography, Editor
Banned
Banned
1966 · Editor, Cinematography
Graffiti
Graffiti
1969 · Director, Director of Photography, Editor
Rosebud
Rosebud
1972
The Farmer's Daughters
The Farmer's Daughters
1976 · Director of Photography
Unwilling Lovers
Unwilling Lovers
1977 · Editor, Camera Operator, Director of Photography
The Erotic Adventures of Lolita
The Erotic Adventures of Lolita
1982 · Director of Photography
Satan Was a Lady
Satan Was a Lady
1975 · Director of Photography
Badge '69'
Badge '69'
1974 · Lighting Technician, Director of Photography
Babes in Joyland
Babes in Joyland
1987 · Director of Photography
Big Abner
Big Abner
1975 · Sound, Director of Photography
Come with Me My Love
Come with Me My Love
1976 · Director of Photography, Co-Director
White Fire
White Fire
1976 · Director of Photography
Neon Nights
Neon Nights
1981 · Director of Photography, Editor
Acting 15 credits
Directing 8 credits
Writing 6 credits
Producing 1 credit
Track what you watch
DuckTrack members see which of these they have already watched, right here on this page.

Comments

0 comments

No comments yet. Sign in to be the first.