Madge Evans
Acting
Born 1909-07-01
Died 1981-04-26
New York City, New York, USA
76 credits
star on Hollywood Walk of Fame 1
Awards
Won 1 star on Hollywood Walk of Fame Award
star on Hollywood Walk of Fame 1 won
- — star on Hollywood Walk of Fame Won
Award data from Wikidata (CC0). Coverage may be incomplete.
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Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark.
By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927).
Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.
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Filmography
— top 60 of 76
Acting
55 credits
The Philco Television Playhouse
Studio One
Lux Video Theatre
David Copperfield
Dinner at Eight
Brother, Can You Spare a Dime?
Stand Up and Cheer!
Army Girl
Sudden Riches
Huddle
Men Without Names
Seventeen
Beloved Adventuress
Beauty for Sale
Pennies from Heaven
The Mayor of Hell
The Revolt
Hell Below
Son of India
Made on Broadway
Moonlight Murder
What Every Woman Knows
Fugitive Lovers
Home Wanted
Piccadilly Jim
Guilty Hands
Helldorado
The Greeks Had a Word for Them
Sporting Blood
Neighbors
Day of Reckoning
The Corner Grocer
Hallelujah, I'm a Bum
Heartbreak
The Nuisance
Death on the Diamond
Sinners in Paradise
The Tunnel
Love Net
Are You Listening?
Fast Life
Lovers Courageous
Paris Interlude
Age of Indiscretion
Husband and Wife
Calm Yourself
Broadway to Hollywood
The Show-Off
Exclusive Story
Espionage
The Burglar
Grand Canary
The Web of Desire
Classmates
West of Broadway
Other credits
5 credits
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