Paul Sharits
Directing
Born 1943-02-07
Died 1993-07-08
Denver, Colorado, USA
50 credits
Read biography
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
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Filmography
Directing
41 credits
Word Movie
Apparent Motion
T,O,U,C,H,I,N,G
Razor Blades
Tails
Bad Burns
Inferential Current
Wrist Trick
3D Movie
Fluxfilm Anthology 1962-1970
Episodic Generation
Declarative Mode
Wintercourse
Tirgu Jiu
3rd Degree
Rapture
Dream Displacement
Axiomatic Granularity
Dots 1 & 2
Synchronousoundtracks
Vertical Contiguity
Unrolling Event
Shutter Interface
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED
N:O:T:H:I:N:G
Color Sound Frames
Sears Catalogue 1-3
Passare I (Italia)
Sound Strip/Film Strip
Piece Mandala/End War
Epileptic Seizure Comparison
Element Studies: Earth/Water/Sky/Fire
Figment I: Fluxglam Voyage in Search of the Real Maciunas
Ray Gun Virus
Sketches in Hawaii
Analytical Studies III - Color Frame Passages
Analytical Studies I: The Film Frame
Analytical Studies IV: Blank Color Frames
Analytical Studies II: Unframed Lines
The Forgetting of Impressions and Intentions
Brancusi's Sculpture Garden at Tirgu Jiu
Acting
6 credits
Cinématon XIII
Paul Sharits Interview with Gerard O'Grady
Paul Sharits
Cinématon
Birth of a Nation
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
Other credits
3 credits
Producing
2 credits
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