Ernie Gehr
Directing
Born 1941-01-01
97 credits
Read biography
"Born in 1941, he began making eight-millimeter films in the mid-’60s. The precipitating event, he told the writer Scott MacDonald in a 2002-3 interview, was a program of Stan Brakhage films that Mr. Gehr caught in New York on a rainy night. The works excited him partly because in their abstraction and attention to color, texture and rhythm they were closer to his experience of 20th-century painting than of movies, and he continued to seek out more of the same. He eventually ended up at the Millennium Film Workshop and borrowing a light meter from the filmmaker Ken Jacobs (with whom Mr. Gehr shares an interest in early cinema). As he walked around New York reading light, as it were, Mr. Gehr discovered “the character of light” and learned about “cinema’s dependency on light.”
(from NYTimes profile by Manohla Dargis. Full piece here: http://www.nytimes.com/2011/11/13/movies/ernie-gehrs-films-traffic-in-images-and-light.html?_r=0)
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Filmography
— top 60 of 97
Directing
59 credits
20 Little Films
Serene Velocity
Crystal Palace
Lisbon Views
Precarious Garden
Modern Navigation
Autumn
Carroll Gardens
As If
Construction Sight
Aproposessexstreetmarket
Bon Voyage
Photographic Phantoms
Greene Street
Floating Particles
Untitled
City
Undertow
ABRACADABRA
Waterfront Follies
Auto-Collider
The Collector
Brooklyn Series
Mirage
Street Scenes
Morning
Field
Rear Window
Departure
Eureka
Wait
Shift
Mist
Reverberation
Medicine Cabinet
Surveillance
Shadow
Passage
Pedestrian Activities
Cotton Candy
Brewster, MA
Winter Morning
Transparency
Better than Ever
For Daniel
Table
Transport
Delirium
Glider
Workers Leaving the Factory (after Lumière)
South Station
History
Side/Walk/Shuttle
Panoramas of the Moving Image: Mechanical Slides and Dissolving Views from Nineteenth-Century Magic Lantern Shows
Picture Taking
Through the Hoops of Time
Signal - Germany on the Air
Mechanical Magic Lantern Slides II
The Quiet Car
Other credits
2 credits
Writing
2 credits
Acting
1 credit
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