Lillian Schwartz
Directing
Born 1927-01-01
66 credits
Read biography
Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)
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Filmography
— top 60 of 66
Directing
57 credits
Newtonian I
Googolplex
Innocence
Rituel
Poet of His People
UFOs
Beyond Picasso
Mis-Takes
OHM+: The Early Gurus Of Electronic Music : 1948–1980
Pixillation
Juggler
Metathesis
AZTEC
The Museum of Modern Art
Bagatelles
Trois Visage
La Spiritata
Mutations
Newtonian II
Enigma
Mime Control
Metamorphosis
Olympiad
3 Degree K #02
X-STRIA2
The Lady or The Tiger
Apotheosis
Before Before
Mathoms
Pictures from a Gallery
Affinities
Alae
Veil of Years
Papillons
3-D Exotic
The Beauty of Excess
Kinesis
Exquisite Motions
RGBCMY
On-Line
Mirage
Fantasies
Mood Changes
L'oiseau
Collage
X-STRIA1
Mayan
Experiments
Lily's Sea
Ensemble #2
NUMÉROS
Ensemble #1
Xtreme Sightings
Twirlinx
Reflections
EXALT
Galaxies
Acting
6 credits
Some of My Best Friends Are...
Raymond Roussel: The Day of Glory
Poet of His People
UFOs
The Artist and the Computer
Metamorphosis
Other credits
1 credit
Producing
1 credit
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