Fred Worden
Directing
43 credits
Read biography
Fred Worden, filmmaker, has been involved in experimental cinema since the 1970s. His work has been screened at The Museum of Modern Art, in the 2002 Whitney Biennial, The Centre Pompidou, in Paris, The Pacific Film Archive, The New York Film Festival, The London Film Festival, The Rotterdam International Film Festival, The Toronto Film Festival, and The Hong Kong International Film Festival. He was an editor for Criss-Cross Art Communications from the '70s through the '80s and his writings have appeared in Cinematograph. His work is included in the Stan Brakhage Collection, the Austrian Museum, The Centre Pompidou and others. Worden's work develops out of his interest in intermittent projection as the source of cinema's primordial powers: how a stream of still pictures passing through a projector at a speed meant to overwhelm the eyes might be harnessed to purposes other than representation or naturalism.
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Filmography
Directing
41 credits
Four Frames
Venetian Blind
Automatic Writing
If Only
Venusville
North Shore
Breakout
Go
Throbs
Bon Ami
Boulevard
Lure
One
Insomnia
In & Out
Terrific Measures
Panovision
Possessed
Here
Vudoo
Tetrahedron
Now, You Can Do Anything
Blue Pole(s)
How The Hell I Ripped Jack Goldstein's Painting In The Elevator
When Worlds Collude
All My Life
After Hours in the Cerebral Kitchen: Experimental Filmmaking in the 21st Century
Introduction to the Secret Society
All or Nothing
Another Water Film
The After Life
1859
Here, There Now, Later
Plotting the Grey Scale: 2 or 3 Quick Traverses
Not Be Bop
Time's Arrow
This Old House
Everyday Bad Dream
The Or Cloud
Amongst the Persuaded
Automatic Writing 2
Acting
1 credit
Other credits
1 credit
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