Michel Auder
Directing
Soissons, Aisne, France
46 credits
Read biography
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
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Filmography
Directing
39 credits
Chronicles: Morocco
Cleopatra
Confession
Brooding Angels
Keeping Busy
Chelsea Girls with Andy Warhol
1967
Blind Sex
Narcolepsy
It's Hard to Be Down When You're Up
Endless Column
Gulf War TV War
Coupla White Faggots Sitting Around Talking
The Feature
Bitte Danke
Polaroid Cocaine
Seduction of Patrick
Alice Neel Paints Margaret
Shoppingheads
My Last Bag of Heroin (For Real)
Magnetic Notes, 1986-1987
Jesus
The Valerie Solanas Incident
Chelsea, Manhattan - NYC
Roman Variations
The Course of Empire
My Love
Phone content HQ6s02 BERLIN CAMERAROLL
Apocalypse Later - Hudson
Heads in Love
High Life
Daytime Version of the Night
Made for Denise
Talking Head
Chasing the Dragon
48 Hours in 8 Minutes
Fictional Art Film
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Voyage to the Center of the Phone Lines
Other credits
5 credits
Acting
4 credits
Writing
3 credits
Producing
1 credit
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