Paul Winkler
Directing
Born 1939-06-22
Hamburg, Germany
43 credits
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Paul Winkler is a German-born Australian filmmaker who lives and works in Sydney. He was associated with Corinne and Arthur Cantrill, Albie Thoms and David Perry in pioneering local experimental film production in the 1960s.
Winkler characterises his films as "a synthesis of intellect and emotion, filtered through the plastic material of film". "I try to let 'imagines' flow freely to the surface". The ideas which he terms ‘imagines’ may reflect Australian icons like Bondi Beach, Ayers Rock/Uluru and the Sydney Harbour Bridge, or textures, as in Bark/Rind, Green Canopy, and the bush.
In 1973, Winkler's film Dark identified with the Aboriginal land rights movement, acquiring a spirituality which was also manifested in Chants and Red Church. Later films take contemporary society for their subject, as in Rotation, Time out for Sport and Long Shadows. His early apprenticeship is recalled in Brickwall, Backyard and Brick and Tile.
In 1995, the Museum of Contemporary Art and Sydney Intermedia Network mounted a retrospective screening of 30 of his films. The following year, the Carpenter Center for the Visual Arts, Harvard University, USA screened 30 films in a three-day retrospective. The Museum of Modern Art in New York, USA holds 15 of his films in their collection.
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Filmography
Brickwall
Rotation
Elevated Shores
Bean::Queen
Green Canopy
Neurosis
Ayers Rock
Many Buddhas
Australian Bush
Bark-Rind
Pop Kitsch
Requiem No. 1
Angel
Long Shadows
Incongruous
Backyard
Isolated
Shooting Arrows
Chants
Cars
Glitter
Urban Spaces
Drums + Trains
Sydney-Bush
Taylor Square
Traces
Scars
Red & Green
Faint Echoes
Facades
Morbid Sheep
Bondi
Fishtank
Window
Capillary Action
Mood
Time Out For Sport
Dark
Turmoil
Brick and Tile
Barbie and Friends
Red Church
Sydney Harbour Bridge
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