Fortunio Bonanova
Acting
Born 1895-01-13
Died 1969-04-02
Palma de Mallorca, Mallorca, Balearic Islands, Spain
80 credits
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Fortunio Bonanova, pseudonym of Josep Lluís Moll, (13 January 1895 – 2 April 1969) was a Spanish baritone singer and a film, theater, and television actor. He occasionally worked as a producer and director.
According to Lluis Fàbregas Cuixart, the pseudonym Fortunio Bonanova referred to his desire to seek fortune, and his love of the Bonanova neighborhood in his native Palma.
As a young man, living under his birthname, he was a professional telegraph operator. He studied music with the Italian Giovachini. In 1921, he debuted as a singer in Tannhäuser, at the Teatre Principal in Palma. That year, along with a group of Majorcan intellectuals and Jorge Luis Borges (who was briefly living in Majorca with his parents and sister), he signed the Ultraist Manifesto, using the name Fortunio Bonanova.
Also in 1921, he appeared in a silent film of Don Juan Tenorio by the brothers Baños, which was shown the following year in New York City and Hollywood. He later directed his own Don Juan in 1924.
In 1927, he acted in Love of Sunya, directed by Albert Parker and starring Gloria Swanson. In 1932 he had small parts in Hollywood productions featuring Joan Bennett and Mary Astor. In the same period, he appeared in New York in several operas as well as the zarzuelas La Canción del Olvido ("The song of forgetting"), La Duquesa del Tabarín ("The Duchess of Tabarín"), Los Gavilanes, and La Montería. In 1934, he returned to Spain, where he had a major role in the film El Desaparecido ("The disappeared one") written and directed by Antonio Graciani. In 1935 he acted and sang in the film Poderoso Caballero ("A Big Guy"), directed by Màximo Nossik.
In 1936, with the outbreak of the Spanish Civil War, he returned to the United States, where he played the role of Captain Bill in a film called Capitán Tormenta, directed by Jules Bernhardt. A sequence of increasingly larger acting and singing roles mostly in English-language films followed, especially after 1940. Among his roles were Signor Matiste, Susan Alexander Kane's opera coach in Citizen Kane (1941); General Sebastiano in Five Graves to Cairo (1943); Don Miguel in The Black Swan (1942); Fernando in For Whom the Bell Tolls (1943); Sam Garlopis in Double Indemnity (1944); and a singing Christopher Columbus in Where Do We Go From Here?. He continued for the next several decades in a miscellany of character roles.
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Filmography
— top 60 of 80
I Love Lucy
77 Sunset Strip
Citizen Kane
The Abbott and Costello Show
Racket Squad
December Bride
The Count of Monte Cristo
Double Indemnity
The Black Swan
An Affair to Remember
Ali Baba and the Forty Thieves
Kiss Me Deadly
For Whom the Bell Tolls
Blood and Sand
The Running Man
Going My Way
El desaparecido
Adventures of Don Juan
The Mark of Zorro
Five Graves to Cairo
General Electric Theater
Dixie
Romance on the High Seas
Girl Trouble
Second Chance
The Fugitive
Careless Lady
Fiesta
Thunder Bay
Whirlpool
New York Confidential
Obliging Young Lady
Larceny, Inc.
Mrs. Parkington
Havana Rose
A Bell for Adano
The Moon Is Blue
The Saga of Hemp Brown
So This Is Love
Thunder in the Sun
Don Juan Tenorio
September Affair
Monsieur Beaucaire
Four Jacks and a Jill
A Yank in the R.A.F.
Conquest of Cochise
Bulldog Drummond in Africa
Tropic Holiday
That Night in Rio
Brazil
Where Do We Go from Here?
Death Whistles the Blues
Jaguar
The Girl on The Roof
Angel on the Amazon
Down Argentine Way
Bad Men of Tombstone
Romance in the Dark
I Was an Adventuress
Moon Over Miami
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