Marylène Negro

Marylène Negro

Directing
50 credits
Read biography
Marylène Negro’s works often bring about a face to face, either two solitudes or two creatures so totally different that nothing but their physical position can point to a relation between them. More often, what one sees is a sound or visual representation that the film contemplates, not to understand it but to represent it from its limitlessness, until it provokes a sweet vertigo. For Marylène Negro, the image represents an area of intercession that defuses the potential violence of a meeting, keeping only the qualities of attention, vigor and benevolence, prerequisites to a possible exchange. The image enables apprehension without prehension. (Nicole Brenez)
Not enough member ratings yet.
Filmography
Track what you watch
DuckTrack members see which of these they have already watched, right here on this page.

Comments

0 comments

No comments yet. Sign in to be the first.