Daniel Kremer
Directing
Born 1984-07-23
Pittsburgh, Pennsylvania, USA
47 credits
Read biography
Filmmaker, film historian, biographer, and professional film archivist Daniel Kremer grew up in Pittsburgh, Pennsylvania. He graduated Temple University's film program and now lives in San Francisco. In 2007, while living in Philadelphia, he directed his first feature Sophisticated Acquaintance (2007). His second feature A Trip to Swadades (2008), which was shot on black-and-white super-16mm film, won three Best Feature Film awards. Following that film's international festival tour (which included Rotterdam), he moved to New York City, where he lived for nearly seven years. At one point, he studied to be an Orthodox rabbi, but gave it up to continue pursuing film.
In 2011, he completed his acclaimed follow-up feature, The Idiotmaker's Gravity Tour (2011). The film was lensed predominantly in India. Subsequent to that, he directed Raise Your Kids on Seltzer (2015), Ezer Kenegdo (2017), Overwhelm the Sky (2019), and Even Just (2020) in the San Francisco Bay Area, using independent filmmaking icon Rob Nilsson's regular cast and crew. The critically lauded Overwhelm the Sky was given special coverage for having been released in the classic epic "roadshow" format, and was picked up for distribution by Kino Lorber. His partly autobiographical cinema-themed essay documentary It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point (2023) garnered raves from the British Film Institute, veteran critic Gerald Peary (For the Love of Movies), and many others.
Kremer has screened work at the Toronto International Film Festival (TIFF), the Joseph Conrad Festival in Krakow, Poland, Maryland International Film Festival, San Francisco Independent Film Festival, Brussels International Film Festival, Glasgow Film Festival, the International Film Festival Rotterdam, Fantasporto Film Festival in Porto, Portugal, Rivers Edge International Film Festival, Mill Valley Film Festival, and many other international venues.
His second book, currently in editing at Oxford University Press, is the first to cover filmmaker Joan Micklin Silver (Hester Street, Chilly Scenes of Winter, Crossing Delancey). His first book, about the life and career of filmmaker Sidney J. Furie (The Ipcress File, Lady Sings the Blues, The Boys in Company C, The Entity), was published by University Press of Kentucky's Screen Classics Series in November 2015. His third book, now being researched, will be the first to cover the life and career of classic Hollywood director Irving Rapper (Now Voyager, The Corn is Green, The Brave One, Marjorie Morningstar). As a film scholar, he has provided DVD/Blu-Ray commentary tracks for sixteen companies. As a Trailers from Hell guru, he is listed alongside other gurus like Guillermo del Toro, Luca Guadagnino, Eli Roth, Joe Dante, Edgar Wright, John Landis, Roger Corman, John Sayles, and many others.
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Filmography
Directing
30 credits
Sophisticated Acquaintance
Countercurrents
Even Just
Ezer Kenegdo
A Collection of Chemicals
A Simple Game of Catch
Overwhelm the Sky
A Trip to Swadades
Charles at the Threshold
Clear Lines of Sight: Sidney J. Furie at Paramount
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
Raise Your Kids on Seltzer
Now, Irving Rapper
Equinox Expressway
Cruel, Usual, Necessary: The Passion of Silvio Narizzano
Elective Vicissitudes: The Radical Exiles of Jules Dassin
The Idiotmaker's Gravity Tour
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
Sidney J. Furie: Fire Up the Carousel!
Survival Scars: Franklin J. Schaffner as Auteur
Jack of Three Trades: In Focus on Nicholson the Director
A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget
Ammo for Shooting Clouds: John G. Avildsen Before Rocky
La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
Dead Neon: The Many Faces of Lenny Bruce on Film
Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger
Other credits
32 credits
Even Just
Summer Sacrament
Love Twice
Torch
Ezer Kenegdo
Jim and the Infidels
Ben Fries the Slaves
Faultline
A Simple Game of Catch
Overwhelm the Sky
Xenolith Atlas
Drive Me to Vegas and Mars
Clear Lines of Sight: Sidney J. Furie at Paramount
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
Now, Irving Rapper
Equinox Expressway
Cruel, Usual, Necessary: The Passion of Silvio Narizzano
Elective Vicissitudes: The Radical Exiles of Jules Dassin
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
Survival Scars: Franklin J. Schaffner as Auteur
Jack of Three Trades: In Focus on Nicholson the Director
A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget
Next Week in Bologna
Ammo for Shooting Clouds: John G. Avildsen Before Rocky
La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
Righteous Rebel: Rabbi Avi Weiss
Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger
Points on a Space Age
Acting
27 credits
Even Just
Ezer Kenegdo
Arid Cut
Ben Fries the Slaves
The Wind Blows Where It Wishes
William Wyler: Forty Takes Willy
David Cronenberg Presents Wireless Internet
Clear Lines of Sight: Sidney J. Furie at Paramount
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
Now, Irving Rapper
Equinox Expressway
Cruel, Usual, Necessary: The Passion of Silvio Narizzano
Elective Vicissitudes: The Radical Exiles of Jules Dassin
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
Survival Scars: Franklin J. Schaffner as Auteur
The Fourth Movement
Jack of Three Trades: In Focus on Nicholson the Director
A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget
Ammo for Shooting Clouds: John G. Avildsen Before Rocky
La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
Dead Neon: The Many Faces of Lenny Bruce on Film
Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger
Danny and the Scatman
Writing
26 credits
Sophisticated Acquaintance
Countercurrents
Ezer Kenegdo
A Collection of Chemicals
Overwhelm the Sky
A Trip to Swadades
Charles at the Threshold
Clear Lines of Sight: Sidney J. Furie at Paramount
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
Raise Your Kids on Seltzer
Now, Irving Rapper
Cruel, Usual, Necessary: The Passion of Silvio Narizzano
Elective Vicissitudes: The Radical Exiles of Jules Dassin
The Idiotmaker's Gravity Tour
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
Survival Scars: Franklin J. Schaffner as Auteur
Jack of Three Trades: In Focus on Nicholson the Director
A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget
Ammo for Shooting Clouds: John G. Avildsen Before Rocky
La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
Dead Neon: The Many Faces of Lenny Bruce on Film
Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger
Producing
3 credits
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