Nakamura Masanobu
Directing
34 credits
Read biography
In 1969, as the political and revolutionary season was coming to an end, Nakamura Masanobu began making films on 8mm film. In a career spanning nearly 30 years, he has created more than 40 films. Inheriting the obscenity of the underground, Nakamura’s unique world, which indulges in more personal desires and expressions, is filled with freedom and venom worthy of being called “post-underground cinema.” His films, which combine images of fetishism, SM, young girls, confinement, and crime with experimental techniques such as reshooting, strobing, frame by frame shooting, and repetition, confront the viewer with the fact that cinema is a device of desire and suggests that watching it could be a violent experience from time to time. Nakamura Masanobu is one of Japan’s most dangerous filmmakers, who says, “If you don’t create a world that is out of phase with the ordinary, it won’t be interesting.”
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Filmography
Directing
33 credits
Flying Images
Beautiful Days
Obscene
Summer is Gone
HANA
Bizarre Disease I
Commemorative Photo
Another Life
Windmill Walk
Omen
Distribution of Unspoiled Landscape
Spring Has Come
Room
Bizarre Disease II
So Hard Feelings
Snake Soup
The Emptiness Close to me
Collage
Collection
Waterside
形
Autumn in Beijing
Resolution
DON'T WORRY KYOKO
The Emptiness That Spreads To Me
A Quiet Day
Ceremony
Automatic Piano
Somewhere Someplace
Labyrinth
Ghost of Memories
Mistake
Punctuation Mark
Other credits
1 credit
Producing
1 credit
Writing
1 credit
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