Tomás Pichardo-Espaillat
Directing
Born 1987-03-02
Santo Domingo, Dominican Republic
40 credits
Read biography
Tomás Pichardo-Espaillat (b. 1987, Santo Domingo) is a storyteller from the Dominican Republic. Working primarily on video, animation and drawing. He was granted a full year scholarship at Fabrica, Benetton's Design Research center, in Treviso, Italy in 2013. Tomás received his BFA in Art and Media at Parsons, the New School of Design in 2010. And his AA degree in fine arts, at Altos de Chavón, in 2008.
Pichardo's work has hints of magic realism. Evoking the colorful, surreal and sometimes disorienting experience of growing up in the Caribbean. His world is personal and intimate, with characters full of colors and textures, drawn into situations outside of their comfort zone. Recent solo exhibitions include CasaQuien (DR), Centro de la Imagen (DR) and Fabrica Features (Lisbon, Portugal). And he has had work included in group exhibitions at the Triennale di Milano (Italy), Museum for Contemporary Art, (México) and Annecy Animation Film Festival (France).
Not enough member ratings yet.
Sign in to rate.
Filmography
Directing
39 credits
Divine Comedy
Dante
The Rebel Radio that brought down a war criminal
Línea Confín
AstroLunar
Floating Islands
Malvao
Asterisco
The Rise and Fall of History's First Empire
The psychology of post-traumatic stress disorder
Why It Is So Hard to Live in the Present?
Olivia & the Clouds
The Aztec myth of the unlikeliest sun god
Why Should You Read Sci-fi Superstar Octavia E. Butler?
One of the most dangerous men in American history
What really happened during the Attica Prison Rebellion
Can Love and Independence Coexist?
Harvey Milk's radical vision of equality
Who was Confucius?
The last chief of the Comanches and the fall of an empire
El Club de Chichiguas
Solid, liquid, gas and ... plasma?
El Regreso al Planeta M
El Camino Interminable
The Secret Society of the Great Dismal Swamp
When did we start using passports?
Waiting for Godot
Las Mariposas: How Three Sisters defied a Dictator
Where the Bees Sleep
The science of skin color
Is graffiti art? Or vandalism?
El Vendedor de Muchachas de Cartón
Midnight's Children
The 1937 Haitian Massacre
Cumbia de Piedra
The Neuroscience of Imagination
Short Stories About Loneliness
What is abstract expressionism?
The life, legacy & assassination of an African revolutionary
Acting
30 credits
Roots
Divine Comedy
The Rebel Radio that brought down a war criminal
Línea Confín
AstroLunar
Floating Islands
Malvao
The Rise and Fall of History's First Empire
The psychology of post-traumatic stress disorder
Why It Is So Hard to Live in the Present?
The Aztec myth of the unlikeliest sun god
Why Should You Read Sci-fi Superstar Octavia E. Butler?
What really happened during the Attica Prison Rebellion
Can Love and Independence Coexist?
Harvey Milk's radical vision of equality
Who was Confucius?
The last chief of the Comanches and the fall of an empire
El Club de Chichiguas
Solid, liquid, gas and ... plasma?
El Regreso al Planeta M
The Secret Society of the Great Dismal Swamp
Waiting for Godot
The science of skin color
Is graffiti art? Or vandalism?
Midnight's Children
The 1937 Haitian Massacre
Cumbia de Piedra
The Neuroscience of Imagination
What is abstract expressionism?
The life, legacy & assassination of an African revolutionary
Writing
13 credits
Dante
Línea Confín
AstroLunar
Floating Islands
Malvao
Asterisco
Olivia & the Clouds
El Club de Chichiguas
El Regreso al Planeta M
El Camino Interminable
Where the Bees Sleep
El Vendedor de Muchachas de Cartón
Cumbia de Piedra
Other credits
10 credits
Dante
Línea Confín
Floating Islands
Malvao
Why It Is So Hard to Live in the Present?
Olivia & the Clouds
El Club de Chichiguas
El Regreso al Planeta M
Midnight's Children
Cumbia de Piedra
Producing
7 credits
Dante
Línea Confín
AstroLunar
Malvao
Why It Is So Hard to Live in the Present?
El Club de Chichiguas
El Regreso al Planeta M
Track what you watch
DuckTrack members see which of these they have already watched,
right here on this page.
Create a free account
Comments
0 commentsNo comments yet. Sign in to be the first.