Robert Fischer
Directing
Born 1954-10-02
Greven, Germany
83 credits
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Filmography
— top 60 of 83
Directing
43 credits
Maternal Overdrive
Love Letters
Traveling Roadshow
Dalton Trumbo: Rebel in Hollywood
Monsieur Truffaut Meets Mr. Hitchcock
A Tribute to Douglas Sirk by Allison Anders
Swan Song: The Story of Billy Wilder's Fedora
Contract Kid: William Reynolds on Douglas Sirk
Perspectives on Othello: Joseph McBride on Orson Welles
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Expedition Amazonia
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Making an American Movie
Acting for Douglas Sirk
Fassbinder in Hollywood
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
'Deep End': Remembering the Deleted Scenes
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Starting Out: The Making of Jerzy Skolimowski's Deep End
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Program Notes: An Introduction To The Last Detail By Alexander Payne
Return to Beethoven Street: Sam Fuller in Germany
Will He Live or Will He Die: Walter Hill on Southern Comfort
Rag Doll Memories: Nancy Allen on 'Blow Out'
The Beast Inside: Creating 'Wolf'
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Ted Kotcheff's Gourmet Cinema
Outer Movement, Inner Movement
Erinnerungen an 'Väter und Söhne'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
The Fury: A Location Journal
Requiem for a Killer: The Making of 'Blast of Silence'
Touching Death: Alejandro Amenábar on 'Tesis'
Producing
27 credits
Maternal Overdrive
A Tribute to Douglas Sirk by Allison Anders
Perspectives on Othello: Joseph McBride on Orson Welles
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Making an American Movie
Acting for Douglas Sirk
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Working with Max Ophuls: Annette Wademant, Co-Writer
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Ted Kotcheff's Gourmet Cinema
Erinnerungen an 'Väter und Söhne'
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Reviving Harry Lime
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Men of Mystery
Hans Fromm on 'Phoenix'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
Working with Max Ophuls: Robert Christidès, Set Decorator
Working with François Truffaut: Nestor Almendros, Director of Photography
Kurosawa and the Censors
Touching Death: Alejandro Amenábar on 'Tesis'
Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Writing
25 credits
Maternal Overdrive
Dalton Trumbo: Rebel in Hollywood
A Tribute to Douglas Sirk by Allison Anders
Swan Song: The Story of Billy Wilder's Fedora
Perspectives on Othello: Joseph McBride on Orson Welles
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Making an American Movie
Fassbinder in Hollywood
'Deep End': Remembering the Deleted Scenes
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Return to Beethoven Street: Sam Fuller in Germany
The Beast Inside: Creating 'Wolf'
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Ted Kotcheff's Gourmet Cinema
Erinnerungen an 'Väter und Söhne'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
The Fury: A Location Journal
Touching Death: Alejandro Amenábar on 'Tesis'
Other credits
23 credits
Love Letters
A Tribute to Douglas Sirk by Allison Anders
Perspectives on Othello: Joseph McBride on Orson Welles
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Making an American Movie
Acting for Douglas Sirk
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Working with Max Ophuls: Annette Wademant, Co-Writer
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Ted Kotcheff's Gourmet Cinema
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Hans Fromm on 'Phoenix'
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Budd Boetticher on the Ranown Cycle
Working with Max Ophuls: Robert Christidès, Set Decorator
Working with François Truffaut: Nestor Almendros, Director of Photography
Touching Death: Alejandro Amenábar on 'Tesis'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Acting
11 credits
Daniel, the Wizard
A Tribute to Douglas Sirk by Allison Anders
Making an American Movie
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Kurosawa and the Censors
Dietrich Icon
Weimar on the Pacific
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