Jean Aurenche
Writing
Born 1903-09-10
Died 1992-09-29
Pierrelatte, Drôme, France
77 credits
César Award for Best Original Screenplay or Adaptation 1
Awards
Won 1 César Award for Best Original Screenplay or Adaptation Award
César Award for Best Original Screenplay or Adaptation 1 won
- 1976 Best Original Screenplay or Adaptation Won Let Joy Reign Supreme
Award data from Wikidata (CC0). Coverage may be incomplete.
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Jean Aurenche (1903–1992) was a French screenwriter. During his career, he wrote 80 films for directors such as René Clément, Bertrand Tavernier, Marcel Carné, Jean Delannoy and Claude Autant-Lara. He is often associated with the screenwriter Pierre Bost, with whom he had a fertile partnership from 1940 to 1975.
In the 1920s and 1930s, Jean Aurenche was friends with some members of the surrealist groups. His sister Marie-Berthe was the wife of Max Ernst and Max Ernst soon became friend with Jean Aurenche. Later, he even appeared in some film commercials directed by Jean Aurenche (for the "Nicolas" Wine, the "Barbes" stores and so on...). Jean Aurenche was also a close friend of Jean Cocteau who helped him publish several of his short stories in the famous "NRF".
In 1933, Jean Aurenche co-directed two short documentaries with Pierre Charbonnier: Pirates du Rhône and Bracos de Sologne. He later co-wrote the short film Monsieur Cordon with director Pierre Prévert. He soon turned to screenwriting, writing or co-writing several films like L'affaire du Courrier de Lyon (1936) by Maurice Lehmann and Claude Autant-Lara, L'affaire Lafarge or, more famously, Hôtel du Nord that he co-wrote with Marcel Carné and Henri Jeanson.
In 1942, starting with Douce (directed by Autant-Lara), Aurenche formed a longstanding partnership with Pierre Bost. Their method of writing together initially worked as such: Jean Aurenche wrote the treatment of the screenplay (sometimes based on a novel) and Pierre Bost then expanded this outline and wrote the dialogue. But soon, both of them wrote all the script together without any clear division of the writing. Together, Aurenche & Bost wrote several great successes of this time period, often associated with director Claude Autant-Lara : le Diable au corps (1945), l'Auberge rouge (1951), le Rouge et le Noir (1954), la Traversée de Paris (1956). Meanwhile, Aurenche & Bost started a fertile collaboration with Jean Delannoy, writing for him La Symphonie Pastorale (1947) which won the Palme d'Or at the Cannes Festival of 1947. During this time, they also worked with René Clément (Au-delà des grilles, Jeux interdits and Gervaise). The film Jeux Interdits won the Academy Award on the Best Foreign Film in 1952 and soon became a classic. All these critic and commercial triumph contributed to make of Aurenche one of the most revered screenwriters of his time. ...
Source: Article "Jean Aurenche" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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Filmography
— top 60 of 77
Writing
46 credits
The Hunchback of Notre Dame
Coup de Torchon
This Special Friendship
Gervaise
La Traversée de Paris
Le Rouge et le Noir
Let Joy Reign Supreme
The Red Inn
Imperial Venus
Lady of the Camelias
Hôtel du Nord
The Judge and the Assassin
The Red Inn
Devil in the Flesh
The Gambler
The Oldest Profession
Way of Youth
The Seven Deadly Sins
Daughters of Destiny
The Stream
Love Is My Profession
Douce
The Walls of Malapaga
It Happened All Night
Franciscan of Bourges
The Traveler Without Luggage
A Woman Like Satan
The Watchmaker of St. Paul
The Green Mare
God Needs Men
Le Colisée
Enough Rope
The North Star
Rendezvous
Potatoes
Long Live Henry IV... Long Live Love!
Gigolo
Love Letters
The Marriage of Chiffon
Eight Men in a Castle
The Little Ones of the Flower Platform
Sylvia and the Ghost
Black Humor
The Passion of Bernadette
Engagements of the Heart
Confessions of a Newlywed
Acting
17 credits
Forbidden Games
Molière pour rire et pour pleurer
L'Âge d'or
The Proud and the Beautiful
Jean Aurenche, écrivain de cinéma
Way of Youth
Douce
The Little Rebels
Fucking Fernand
A Woman in White Revolts
Pastoral Symphony
The Game of Love
Love Letters
A Woman in White
The Regattas of San Francisco
Crime Does Not Pay
Forbidden to Love
Directing
1 credit
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