Heinz Emigholz
Directing
Born 1948-01-22
Achim, Germany
73 credits
Read biography
Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up . He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin from 1993 to 2013, and co-founded the Institute for Time-based Media and the program Art and Media, there. Since 2012 member of the Academy of Arts in Berlin. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), Normalsatz – Siebzehn Filme (Ordinary Sentence – Seventeen Films) and Das schwarze Schamquadrat (The Black Sqare of Shame) (all four books at Verlag Martin Schmitz); Die Basis des Make-Up (I) and (II), Der Begnadete Meier (Grace Jones), Kleine Enzyklopädie der Photographie (Little Encyclopaedia of Photography) and Die Basis des Make-Up (III) (in Die Republik No. 68-71, 76-78, 89-91, 94-97 and 123-125); Sense of Architecture with more than 600 photographs.
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Filmography
— top 60 of 73
Directing
45 credits
Bickels [Socialism]
The Holy Bunch
Two Museums
Slaughterhouses of Modernity
Dieste [Uruguay]
Streetscapes [Dialogue]
Antivilla
Ordinary Sentence
Wandsbek Gartenstück
D’Annunzio’s Cave
2 + 2 = 22 [The Alphabet]
The Airstrip - Decampment of Modernism, Part III
Mamani in El Alto
Maillart's Bridges
The Last City
The Meadow of Things
Hotel
Loos Ornamental
Miscellanea III
The Suit
Sullivan's Banks
Casa Golly
Tide
Ecce Mole
The Lobby
Salamone, Pampa
Stair Piece
Two Basilicas
Miscellanea I
Berlin [Underground]
Cup Piece
Goff in the Desert
The Basis of Make-Up III
Arrowplane
Ornament und Verbrechen
Perret in France and Algeria
Miscellanea II
Demon
Winter
Brooklyn Bathroom Piece
Le Corbusier [IIIII] Asger Jorn [Relief]
Years of Construction
The Basis of Make-Up II
Die Basis des Make-Up
Sense of Architecture
Other credits
23 credits
Bickels [Socialism]
The Holy Bunch
Slaughterhouses of Modernity
Dieste [Uruguay]
Streetscapes [Dialogue]
Antivilla
Committed
Bartleby
Der Ort der Handlung
Ordinary Sentence
D’Annunzio’s Cave
2 + 2 = 22 [The Alphabet]
The Airstrip - Decampment of Modernism, Part III
Mamani in El Alto
Home Movies 1971-81
The Last City
Bombenwerfer
Virgin Machine
She Must Be Seeing Things
The Basis of Make-Up III
Fury Is a Feeling Too
The Basis of Make-Up II
Four Shadows
Writing
17 credits
Bickels [Socialism]
The Holy Bunch
Slaughterhouses of Modernity
Dieste [Uruguay]
Streetscapes [Dialogue]
Ordinary Sentence
D’Annunzio’s Cave
2 + 2 = 22 [The Alphabet]
Mamani in El Alto
Maillart's Bridges
The Last City
Miscellanea III
Miscellanea I
The Basis of Make-Up III
Arrowplane
Miscellanea II
The Basis of Make-Up II
Acting
14 credits
Stalingrad
Brother of Sleep
Two Museums
Slaughterhouses of Modernity
Streetscapes [Dialogue]
Antivilla
Committed
Macumba
Mamani in El Alto
Exekution: A Study of Mary
Sons
The Basis of Make-Up III
Saturn Returns
The Basis of Make-Up II
Producing
1 credit
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