Ken Jacobs
Directing
Born 1933-05-25
Died 2025-10-05
Williamsburg, Brooklyn, New York, USA
313 credits
Read biography
A pioneer of the American film avant-garde of the 1960s and '70s, Ken Jacobs is a central figure in post-war experimental cinema. From his first films of the late 1950s to his recent experiments with digital video, his investigations and innovations have influenced countless artists.
A New Yorker by birth, Jacobs graduated from City University to find himself in the midst of the downtown art scene of the 1960s, which included artists Robert Rauschenberg and Andy Warhol, beat writers Allen Ginsberg and Jack Kerouac; and the experimental theater troupes of Trisha Brown and Yvonne Rainer. Although Jacobs had studied painting with Hans Hoffman, he quickly gravitated to film, finding kindred spirits in radical filmmakers such as Jonas Mekas and Hollis Frampton. An early friendship with Jack Smith yielded several collaborations, including the seminal underground films Blonde Cobra (which Jonas Mekas dubbed "the masterpiece of Baudelairean cinema") and Little Stabs at Happiness, as well as a Provincetown beach-based live show, The Human Wreckage Review.
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Filmography
— top 60 of 313
Directing
34 credits
60 Seconds of Solitude in Year Zero
Blonde Cobra
20 Little Films
Up the Illusion
Flo Rounds a Corner
Jonas Mekas in Kodachrome Days
Disorient Express
THE WHOLE SHEBANG
For Life, Against the War
Tom, Tom, the Piper's Son
Window
Clouds and Trees
XCXHXEXRXRXIXEXSX
Windbreaker
Chinese New Years
From Introduction to Orson Welles’s Falstaff: Chimes at Midnight
The Sky Socialist: The Environs
Once Upon a Planet
Seeking the Monkey King
The Doctor's Dream
New York Ghetto Fishmarket 1903
Perfect Film
Movie That Invites Pausing
Keeping an Eye on Stan
The Green Wave
Little Cobra Dance
Orchard Street
Bob Fleischner Dying
Alone at Last
Le Prince: Leeds Bridge 1888
Chronometer
Jerry Takes A Back Seat, Then Passes Out Of The Picture
Return to the Scene of the Crime
Joan Mitchell: Departures
Acting
18 credits
Santos Dumont: Pré-Cineasta?
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
365 Day Project
Art-House America: Austin Film Society
Diaries, Notes, and Sketches
What Is Cinema?
Jonas in the Desert
Birth of a Nation
Jack Smith and the Destruction of Atlantis
Fragments of Paradise
Art Spiegelman: Disaster is My Muse
He Stands in a Desert Counting the Seconds of His Life
Free Radicals: A History of Experimental Film
Lost, Lost, Lost
Momma's Man
Sleepless Nights Stories
Window
Monks of Cinema
Other credits
10 credits
Reminiscences of Jonas Mekas
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”
Flo and Ken Jacobs
Horizons
Home Movies 1971-81
XCXHXEXRXRXIXEXSX
Scotch Tape
Bill's Hat
Please Leave a Message: Anthology Film Archives Voicemails Through the Ages
Quartet Number One
Producing
1 credit
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