流轉
In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.
Kōkichi Takada
杵屋新二郎
Kyōko Kagawa
お秋
Keiko Yukishiro
おしの
Danshirō Ichikawa
市川市蔵(成田屋)
Kodayu Ichikawa
杵屋六三郎
Haruyo Ichikawa
お照
Atsushi Watanabe
段六
Jūshirō Konoe
岡っ引源三
Jotaro Togami
鉄火場の胴元
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