The Color of Love

Peggy Ahwesh re-edits and optically prints a Super 8 stag loop, rarifying the degraded images into an abstract stained-glass mosaic. From a clumsy and heavy-handed pornographic film of the seventies that bad storage conditions have deteriorated over time, Peggy Ahwesh uses the alterations and the mold of the film to emphasize the sensuality of the scenes. It produces a newborn, beautiful film, powerful, erotic, and disarming at a time.

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