L'Ennui (les rêves d'un somnambule)

Three different dreams of the city, three perspectives, in black and white with a soundtrack from student of John Cage, Bill Fontana... all in camera editing with a Bolex when experimental films meant something on film, raw, from the street, immediate and experiential... influenced by modern dance and the work of Ed Emshweller.

Metadata from the source database.